zamus: early music festival // Beyond the Score // Symposium

10:00 - 10:15
Welcome and Introduction
Ira Givol - zamus
Prof. Dr. Frank Hentschel - Universität zu Köln

10:15 - 10:45
Toward a ‘blessedly enlightened’
Reconstruction of the Instrumentation of Alessandro Striggio’s 40-part Motet Ecce lucem beatam, as performed at the Munich Court in 1568
Peter van Heyghen

10:45 - 11:30
In the wake of the Euridice-experiment: staging Italian opera in the early 17th century
Sigrid T’Hooft

Short Break

11:50 - 12:35
Interrogating ‘The Ghost in the Machine’: Implications for tempo, phrasing, and ensemble performance in repertoire from eighteenth-century mechanical musical instruments.
Dr. Emily Baines - Brunel University London

Break

13:30 - 14:15
‘Early Recordings Informed Performance’ - Historical Embodiment and the Future of Early Music
Dr. Kai Köpp - Hochschule der Künste Bern

14:15 - 15:00
Panel discussion
Prof. Dr. Frank Hentschel
Moderation and Chair